"Me Myself And I" by De La Soul

1989 / #34

Rate Your Music score: 3.92 out of 5!

I'm giving this lost hit an entry to show how we focus on singles rather than albums.

You may know that - whenever possible - I buyed actual records instead of cassettes or CD's. Good records had better sound quality - and were cheaper than CD's. You could have your cake and eat it too! I continued with this until you could buy MP3's instead. I think the last new 45 that I purchased had to have been in the mid-1990s, maybe later.

Also - whether it was a record, tape, or CD - I usually buyed singles instead of albums. Sometimes the album version of a track was better than the single mix, but this was hit-or-miss. I usually purchased the single because singles represented excitement. Some of the best music had brevity. I didn't buy music so I could analyze it.

For some acts, such as Men At Work or "Weird Al" Yankovic, we'd buy the album. But for most other performers - even some of the greats - we got the single.

From its inception until 1998, the Hot 100 was a singles chart. There was a time in its early years when the chart included a few EP's too, but that didn't last past the 1960s. Only since 1998 has the chart included LP-only cuts. But apparently, even before 1998, a single would occasionally chart even if a commercial single was not available.

That's where "Me Myself And I" comes in.

When this record appeared on American Top 40, host Shadoe Stevens said it was the first item to reach the top 40 that was not available as a commercial single. I'm not sure under what rule it charted. Was there a promotional single for radio stations? There had been a few songs that famously did not chart because they were not released as commercial singles, but I know there were promo 45's for some.

In a later AT40 installment, Shadoe corrected this information, saying "Rapper's Delight" by the Sugarhill Gang from a decade earlier was actually the first item to reach the top 40 without being sold as a commercial single. But Wikipedia says there were 7-inch pressings of this hit that are "very rare." "Rapper's Delight" was also known for the brilliant line, "I can bust you out with my super sperm."

In the 1990s, many big hits were sold as a cassette single or CD single, but not as a single record. These were still eligible to appear on the Hot 100, because there was some type of single. But the era saw many big songs excluded from the Hot 100 because they didn't have a single at all.

Long live the single!

"Don't Let Go" by Wang Chung

1984 / #38

Rate Your Music score: 3.46 out of 5!

I profiled Wang Chung once before for their lost hit "Hypnotize Me." But it really is amazing how much their minor hit "Don't Let Go" - their first chart hit ever - essentially ruled the roost for about a year in the mid-1980s, even after it faded from radio and MTV.

I'm not even sure why or how. It just did. It's as if that record just takes that time frame and smashes it right in your face. I actually remember discussing this song with someone, maybe some neighborhood pals who stopped by. I don't even recall why.

Many events of the era were somehow linked to the musical culture of the day, and "Don't Let Go" appeared to be at the heart of it all. This song was the standard by which everything else was judged. It represented an environment that sort of bobbed along for a while, died down, and resurfaced a couple more times in the ensuing decades.

In more recent years, current popular music hasn't had nearly as much influence on our society, while other media have. I had a blast in the 2010s, as I went to rallies and participated in community projects (which were quickly swatted down in the 2020s). But if you look at a Hot 100 chart from the 2010s, you'll see very little music that you ever remember hearing. Even #1 hits aren't remembered. Yet a #38 hit from 1984 is still fondly recalled even after it's been off the airwaves for 41 years.

Another amusing note about Wang Chung: "Don't Let Go" came from their album Points On The Curve, a disc that prompted a hilarious review by the Philadelphia Inquirer. The Inquirer charged that Wang Chung were "mean-spirited fops." I burst out laughing when I found this, because Wang Chung always seemed like the ultimate nice guys, and it's hard to imagine them as "mean-spirited."

"Highwire" by the Rolling Stones

1991 / #57

Rate Your Music score: 3.3 out of 5!

This song sounds like a big hit, and maybe it would have been one if not for the radio industry's political intolerance.

"Highwire" came out around the end of the disastrous 1991 Gulf War. The Stones' Keith Richards said the song was "about how you build up some shaky dictator" just to "slam them down." The song criticized the politics behind the start of the war.

The tune's antiwar stance caused it to be banned by radio stations in Salt Lake City and St. Louis. This was while radio played songs that they linked to favorable views of the war. A station in Albany, New York, even collected congratulatory letters to send to George H.W. Bush for how he carried out the conflict.

I heard the song precisely once on Cincinnati radio - as we were in the car in the parking lot of a fast food restaurant - and it's a miracle our stations played it even that much, considering how stodgy and conservative our top-rated stations already were. You can bet your bottom dollar that after the song aired once on local radio, the suits slapped it down lickety-split. But the record apparently saw more play in smaller cities, so it actually made the Gavin Report's top 40.

The ban of this record was like having the 2020s in the 1990s!

"Right Here And Now" by Bill Medley

1982 / #58

Rate Your Music score: 2.62 out of 5!

I didn't set out to do a blog full of adult contemporary ballads, but when a performer strongly resembles your high school principal, you just can't help it.

Bill Medley is best known as a member of the Righteous Brothers and for his chart-topping duet with Jennifer Warnes "(I've Had) The Time Of My Life." I heard "Right Here And Now" on the radio quite a bit back in 1982, but it was 5 years later when Bill and Jennifer's duet was a hit that Bill's resemblance to my principal was first noted.

I started high school right when "The Time Of My Life" came out. What great timing! One day, we were watching TV at home, and that video came on. A family member noted that Bill looked quite a bit like the headmaster of my school. All he needed was a pair of tinted eyeglasses.

Incidentally, my principal was a titanically incompetent clown, and was one of the worst people I've ever had the misfortune of meeting. I was forced to put up with him for almost 3 years.

Because Bill Medley looked like my principal, this blog wouldn't be complete without him. But I damn sure wasn't going to include "The Time Of My Life", because after all, this blog is for lost hits. If you don't understand why "The Time Of My Life" doesn't belong on a lost hits blog, ask an adult.

"It Must Be Love" by Madness

1983 / #33

Rate Your Music score: 3.62 out of 5!

Madness madness was going strong in 1983! You may know this London band for their smash hit "Our House", but they had this chart entry too.

I heard "It Must Be Love" a little bit on the radio, but I only saw the video once on MTV, and missed most of it. I think I was busy letting the dog outside or sweeping potato chip crumbs off the kitchen floor. So I had little memory of what appeared in the video.

Perhaps 25 years later, I heard a rumor that there was a video on MTV around that time that featured Big Bird falling from the sky and landing on a band. If I had seen Big Bird in a music video in late 1983, I surely would have remembered. That was at the height of my stage of writing tasteless Sesame Street fanfic and threatening to start watching Sesame Street again if my cartoons kept getting preempted.

It turned out the video in question was this one. The clip clearly shows Madness vocalist Graham "Suggs" McPherson catching Big Bird as he falls into his arms. It wasn't one of the Big Birds actually used on Sesame Street, but it was clearly intended to be Big Bird.

A YouTube commenter said of the video, "I noticed four dangerous stunts: running in front of a moving car, playing an electric guitar under water, a back flip into a pool, and Big Bird jumping into the man's arms."

This might not be the only mid-'80s lost hit that had a video with a Big Bird connection, so keep your beak peeled!

"High On Emotion" by Chris de Burgh

1984 / #44

Rate Your Music score: 3.06 out of 5!

I've always thought of Chris de Burgh as being one of these guys like Phil Collins who has this everyman image that people think is strangely funny.

The top 40 stations in Cincinnati seemed to be unusually fast on adding anything Chris put out. I remember listening to American Top 40 and being surprised to hear that "Don't Pay The Ferryman" - now a lost hit itself - was only in the 30s and still climbing the chart. Judging by radio play back then, I would have thought it was a chart-topping smash that had run its course by then.

"High On Emotion" made it to our biggest top 40 station pretty quickly even though this same station was slow at adding most other new music. The video got a lot of play too, and it was noted that members of Chris's band bore strong resemblances to other famous people - David Bowie and Paul McCartney among them.

And Chris looked like Dr. Shrinker, the title character of one of the 1970s Saturday morning shows created by Sid and Marty Krofft.

This isn't the only such link between popular music and a Krofft show, as Carly Rae Jepsen has been said to strongly resemble Dyna Girl.

And how come you never see people wearing those shirts that say "Bah!" anymore?

"Why Me?" by Planet P Project

1983 / #64

Rate Your Music score: 3.51 out of 5!

This is a song that everyone insists does not exist - even after having the evidence shoved right in their face.

Planet P Project was like a one-man band. It was actually a pseudonym of Tony Carey - who has had several lost hits under his real name. It appears as if some other musicians did work with Tony, but Wikipedia suggests the name Planet P Project refers to Tony himself.

Radio stations in Cincinnati aren't exactly known for making the best choices as to what music to play, but this is one they got right. This record only got to #64, but both top 40 stations in Cincinnati at the time regularly played it, and it was apparently big on our album rock stations too. This was a better choice than some of the others that have been made, despite the record's low chart peak.

But when it was gone, it was gone.

I mentioned this song sometime later, and everyone insisted I made it up. It was like they couldn't remember anything that happened more than a few months earlier. For years, I would mention this song, and they would still deny it ever existed.

Finally, maybe around 1992, I found a 45 of it. I played it for them, and they still insisted it wasn't real!

What did they think it was? Did they think I just put one of our record-shaped beverage coasters on the turntable and played instruments and sang along with it?

It's real! Cope!

At least the cast of Sesame Street knew Mr. Snuffleupagus was real when they finally saw him. But in this crazy world we call real life, sometimes solid proof isn't enough.

I didn't post the video above. That's from someone who had a much bigger 45 collection than I have. The single version posted above is the mix that everyone was familiar with - before they began denying it existed. The song had a video too, but it used a vastly different mix...

Although the single version was better known in 1983, I need to handle my 45 with care, because that mix is so rare today. The rarity of that version is also one of the reasons I keep records instead of relying on YouTube.

Just a few years ago, everyone insisted Toby Beau wasn't real, and that I made them up. But we can count on YouTube to embarrass musical naysayers!

"Get Used To It" by Roger Voudouris

1979 / #21

Rate Your Music score: 3.14 out of 5!

If you hadn't seen the year listed above, what year would you guess this lost hit was from? 1987?

This record sounds quaint today, but it was considered way ahead of its time in 1979. It was popular during the summer I turned 6, and back then, I thought the beginning of this song was like nothing I'd ever heard before.

The only context I ever remember hearing this song though was through an external speaker we set up on the back porch. We had a Magnavox console stereo with an AM/FM receiver from circa 1972 in the living room. For years, I think it was the only radio we had with FM, except for a transistor radio that later got broken when the dog knocked it off the kitchen table. Somehow, we ran a wire from the stereo all the way to the back porch.

I don't even remember where the wire went. We might have run it up through the living room closet and through an "attic" that supposedly existed, but which I never saw.

This was also in the days when radio DJ's used to tell listeners, "Don't touch that radio!" How was a DJ supposed to know if I touched the radio? I once tested this admonition by fiddling with the bass, treble, and balance knobs on the stereo. The DJ didn't come to my house and beat me up.

In the 1980s, we moved the external speaker into the den - yet hardly ever used it anymore. The only time I remember the speaker being on in the den was one day when I got into a famous sibling squabble. My mom tried to make us behave by putting the stereo on some weird station and blasting it in the den. It's like how stores blare the same music nonstop to chase away loiterers (while not caring what nearby residents think), or when Sesame Street songs were played for days at a time to torture Guantanamo Bay inmates.

Playing the same music over and over as a torture technique is actually what radio stations today do. In contrast to this, this lost hits blog commemorates music we never get to hear anymore.

"Forever In Blue Jeans" by Neil Diamond

1979 / #20

Rate Your Music score: 2.97 out of 5!

"Money talks...But it don't sing and dance and it don't walk..."

Time to grow those sideburns!

For a song you never hear anymore, this lost hit sure is memorable. The opening lines have been repeated fondly many times over the past 46 years. It's not because of the image these lyrics bring to mind when taken literally, but because these words have a very important meaning.

And what is this song's meaning? I once read an article that said it was about how you don't need fame, money, and glitz to get satisfaction in life. The piece said it was a message against wastefulness, greed, and flaunting wealth. It sounds like a good anthem against capitalist excess. You don't need gold-plated tennis balls or marble toilets. You can be happy just living in harmony with your surroundings.

Sure, our rulers have made it harder to do - even as everyone gets poorer and poorer - but it brings the satisfaction that we have a right to expect from life.

People who have seen Neil Diamond in concert say this song brings the best audience reaction out of all of his many tunes.

Of course, no song has a constitutional right to be free from parody. Apparently, a local radio station made a parody of this record titled "Forever In Beer Cans." I don't remember if it was anything like "Pee-Pee Song." When I was about 8, I compiled a personal ranking of favorite songs I heard on the radio, and one of them was "Pee-Pee Song." I didn't find the list again until years later. I think "Pee-Pee Song" was a parody of "No No Song." If I remember correctly, this parody went, "No no no no, I don't pee-pee no more...I'm tired of it landing on the floor."

We'd do OK forever in beer cans.

"Money Changes Everything" by Cyndi Lauper

1984 / #27

Rate Your Music score: 3.57 out of 5!

"It's all in the past now...Money changes everything..."

One of the most misused statements in the entire English language is, "It's all in the past now."

If you rightly complain about some mistreatment you got only a day ago, someone will inevitably shrug it off, saying, "It's all in the past now." It's this dismissive attitude that ensures a complete lack of accountability for atrocities of all sorts. These days, those who maliciously do wrong not only evade punishment but are actually elevated to even more powerful positions.

Meanwhile, my adversaries went on and on about the same shit for 35 years. Considering their record, I don't think they're done yet. They've just been distracted by new powers they've been given over the past few years. This feud of theirs lasted longer than the Hatfields and McCoys. Get over it! (Relax, we'll get to that one.)

The lost hits profiled on this blog seem to be all in the past now, but most actually do turn up in some venue once in a great while - just not in regular rotation on traditional radio. Yet it's not quite like it was 30 years ago when you couldn't hear lost hits anymore unless by some chance you had the record. I'm pretty sure "Money Changes Everything" turned up on Sirius XM's '80s channel a few years ago, and that I have a video from a road trip in which it happened to be playing in the background in the car. But this record never appears anymore on regular radio that you don't have to pay for. Money changes everything!

"When The Lights Go Out" by Naked Eyes

1983 / #37

Rate Your Music score: 3.66 out of 5!

Shh! Naked!

This lost hit was a memorable one, but I'm giving it an entry for one reason and one reason only. It's because the singer in this band tried to sound like Paul McCartney!

In fact, the first time I heard this song, I actually thought it was Paul. I was 10, and I had just gotten a new bedroom, which was tiny. I had the clock radio on - back when clock radios were actually easy to use. This song came on.

And I thought it was Paul McCartney!

That was back in the days when Paul kept doing ridiculous duets with Michael Jackson. After all, lots of performers had goofy duets back then. But I was surprised there'd be a new Paul McCartney single coming out so soon after "Say Say Say." I was even more surprised to discover it wasn't Paul, but Naked Eyes.

Naked Eyes were best known for their version of "Always Something There To Remind Me", a well-known song written by Burt Bacharach and Hal David. I recalled that a few months earlier, Marilyn McCoo performed that song on Solid Gold. I burst out laughing because of the spacey keyboard in the chorus. Fast-forward to 19:30...

Also, around 1983-84, there was a lot of fine music I didn't appreciate then. Much of this was because of some personal experiences I had during the preceding couple years that just stuck in my craw. I also fretted that Men At Work were being unfairly prevented from charting higher. But, along with 1978-79, that era actually had some of the best music ever.

I started appreciating music more in 1984, thinking much of it was strangely funny or some sort of spectacle. For a long time, I couldn't figure out why, but someone told me it must have been because there were so many goofy videos on MTV then. Much of popular culture was built around music videos, and it emerged in weird ways.

It just goes to show the influence of mass media!

"Help Is On Its Way" by Little River Band

1977 / #14

Rate Your Music score: 3.31 out of 5!

That late 1970s strum is the sound of excitement!

This record - like "Lowdown" by Boz Scaggs - has what sounds like a strum of a bass every few seconds. I've always thought that this characteristic late '70s strum was evocative of the progress associated with a road construction zone and how we'd soon get to enjoy a faster, smoother, more efficient ride.

Imagine riding down a city street with "Help Is On Its Way" or "Lowdown" blaring on the AM radio and seeing construction crews working in the breeze! The smell of summer fills the air, and bulldozers loom on a grassy lot between some fine old apartment buildings. You're informed that there's a new road being built, and you just can't wait to see it!

Those were highlights of my young life!

At a very young age, I developed a keen interest in road transport. Much of this was because of the boom in local road projects in the '70s. I even had a favorite road: Lourdes Lane in Newport. When I was about 4, I actually drew a map of the surrounding area on a paper grocery bag.

But it all came crashing down not long after. The word progress sometimes defies its own meaning. We were in the car heading to Rink's when we noticed Lourdes Lane had been completely torn down. The construction vehicles that we had been seeing there for months weren't to improve my favorite road, but to demolish it. My favorite road was gone, never to return!

Little River Band formed in Melbourne, Australia, but American Top 40 once reported that they were the group whose members hailed from the most different countries. Wikipedia says they've had members born in Australia, the Netherlands, England, Italy, New Zealand, the United States, and perhaps elsewhere. The band has also had numerous lineup changes over its half-century in existence. The group has included a caption with some of its videos on YouTube that warns...

"Unfortunately, the Little River Band that tours the United States today contains NO ORIGINAL MEMBERS. Be aware that they often use our videos, images and audio to mislead the public into believing original members will be appearing. This American band owns the trademark 'Little River Band' and this prevents the original band from performing or touring."

Time for a cool change!

"Goodnight Saigon" by Billy Joel

1983 / #56

Rate Your Music score: 3.52 out of 5!

"We had no Softsoap..."

"Goodnight Saigon" is a song about the Vietnam War - more specifically about Marines who fought in that conflict.

Many critics and musicians liked the song. Garth Brooks said it was his favorite Billy Joel song. But others disagreed. Rolling Stone critic Dave Marsh said it was "obscenity" that the song "refuses to take sides" on the war.

Other critics couldn't look past one particular line in the song: "We had no Softsoap."

You heard that right. "We had no Softsoap."

I've always been as flabbergasted at that line as you are. That's not a misheard line. That's the real lyrics.

I used to hear this song when I was about 10, and I was always afraid I'd have to fight in a war, because there would be no Softsoap. Some said that line completely undercut the rest of the song and its assessment of the war.

The "Goodnight Saigon" clip posted above is the album version that people are more familiar with. The song also had a popular video, which appears to have instead been recorded at one of Billy's concerts...

That was back when Billy always wore a bandage on his left thumb. Several articles suggest this was because a recent motorcycle crash had left him with no bone in the tip of his finger.

I also once read that Billy would shred newspapers on stage if a critic at the paper gave him a bad review.

Billy Joel. The man, the myth, the legend!

"Fallen Angel" by Poison

1988 / #12

Rate Your Music score: 3.28 out of 5!

"Algebra books out into the city streets..."

Ready for another misheard lyric?

When you attend a terrible high school, it's sure to inspire misheard words to songs. It even influences how correct lyrics are perceived, as the situation at school can be so unhealthy that your mind wanders just seeing and hearing everyday things. I can't even begin to tell you how incompetent some of our school officials were. To be fair, I wouldn't say it was like having the 2020s in the 1980s. Nothing was that bad until the 2020s. But my high school modeled the fascism that others later built upon.

This school taught me that there's algebra books out in the city streets. I mean that literally. I had repeated altercations with one student in particular who kept destroying my textbooks. I think he even threw my algebra book out into a city street. I know he stuck bubble gum in my science book, and he threw one of my books in a mud puddle. One time I got in a fight with him, and he tried making me pay for his broken glasses. The problem with this was that he never wore glasses.

When I first heard "Fallen Angel" blasting over the boom box in my den, the very first line caught my ear. Why, it was about "algebra books out into the city streets"! I felt I could relate to the song because it was about school textbooks getting ruined. But this line was misheard. The song actually says, "She stepped off the bus out into the city streets."

I'm not exactly sure what context I first heard the song in. I was thinking it was when Power 94½ began playing it, but it might have been the radio show Joel Denver's Future Hits, which aired in many cities. I'm not even sure what station we heard Joel on, but it might have been Power 94½. Around the same time, there was also a live call-in show that aired on Sunday nights. This show interviewed big music stars of the era. I know there was a show that had a host named Shadow P. Stevens - not to be confused with Shadoe Stevens of American Top 40.

Those shows aired pretty late at night, so I must have only heard them in the summer, when I wasn't forced to wake up at 6 AM to attend a shitty school.

"Hypnotize Me" by Wang Chung

1987 / #36

Rate Your Music score: 3.41 out of 5!

"Turn on your Lite-Brite..."

Turn on your Lite-Brite! Go ahead! Turn it on!

I considered Wang Chung to be central to the musical and societal happenings of the mid-1980s. Their presence on our TV screens just screamed mid-'80s. But they haven't reached the top 40 since 1987, when they gave us this memorable lost hit.

And remember it we shall.

When I was 14, we went on a great family vacation to Iowa. As we were scooting across the Illinois prairie on Interstate 74, I heard "Hypnotize Me" on the car radio. The chorus commanded, "Turn on your white light." Being the musical genius that I am, I immediately came up with new lyrics: "Turn on your Lite-Brite."

This was reminiscent of an early 1980s commercial for Del Monte canned peaches, to which I intoned, "Come on over to the Lite-Brite"...

Del Monte went on to sell a grand total of about 3 cans of its "lite" variant. It had to be a tax write-off.

In 2007, a marketing campaign in Boston used electric signs similar to Lite-Brites. Local authorities were afraid of Lite-Brites and cracked down hard, saying the signs were actually bombs. The incident is still known as the Boston Mooninite panic.

Eek! Lite-Brites!

"This Is Not America" by David Bowie/Pat Metheny Group

1985 / #32

Rate Your Music score: 3.65 out of 5!

For a song that's almost never been played in 40 years, everything about this lost hit is memorable. It has sort of a dark tone and a dark title. The video consists of clips from the movie The Falcon And The Snowman, and I'll always associate the song with the scene of a character from the film screaming at 3:12. Even hearing this song on the radio was memorable. I recall pondering it as it was on the car radio as we pulled into the driveway on the way home from the grocery store.

I continued to be influenced by the very title. When I was in my late teens in the early 1990s, I planned to write a book titled This Is Not America exposing how local school officials and politicians were running an organized crime racket, and how they were retaliating against young people who fought back. They continue to do it. This Is Not America was a good title, because they kept violating liberties guaranteed in the U.S. Constitution. Someone dismissed my proposed book as "a left-wing complaint", but didn't actually deny any of it was true. Everyone knew it was true, but I was supposed to be quiet. It was the same wimpy, dismissive attitude now being displayed regarding the lockdown atrocities of the past few years.

Parts of this concept exist in bits and pieces in my later projects. I wish I could gather together all of that project, but it's on a disk for an Atari 800. I find it interesting that the home computing industry kept introducing new computers and standards that were incompatible with older machines, which relegated past events to the memory hole.

I've had to work harder at my projects since then, because more and more things have happened that are obviously idiotic. Things have gotten more ridiculous and stupid all the time.

My proposed book opened, "America is fast becoming a police state." A few people back then scoffed at this warning, but how did that turn out?

This is not America! I don't know what it is, but it sure as shit ain't America.

"I.G.Y. (What A Beautiful World)" by Donald Fagen

1982 / #26

Rate Your Music score: 3.9 out of 5!

"What a beautiful world this will be...What a glorious time to be free..."

Don't confuse "I.G.Y." with IGA or an IGO or a UGO.

This snappy lost hit by Steely Dan's Donald Fagen is one of a handful of songs I remember being popular around the time I wasted my brother's pink construction paper by drawing a stupid picture of a guy blowing a bubble. But that's not why it gets an entry here.

When I was 9, people developed a habit of wiping boogers on the wall and furniture at home. When a blob of mucus was found on a wall, it might be called an IGO - identified gross object. I also recall a UGO - unidentified gross object - stuck on a particular spot on the bedroom wall. It was right where you entered the room, below a styrofoam mock-up of one of those traffic signs that said "BUMP." Nobody knew what the hell it was. Sometimes those were produced when you got a piece of food stuck between your teeth and you spit it out in a projectile fashion.

After IGO's began filling our walls, "I.G.Y." began filling our airwaves. What does the title of the song stand for? It stands for International Geophysical Year - a period that ran from July 1957 through December 1958.

What was the song actually about? Although it was a hit in 1982, the topic seems tailor-made for the 2020s. I read an article a few years ago that said the song was about scientific arrogance. It was about scientists having unrealistic ideas and trying to impose them on everyone despite being at odds with objective facts. This inspired lines like, "90 minutes from New York to Paris." It was like "I am the science."

The International Geophysical Year itself seemed to defy objective facts. The event defined a "year" as being 18 months, like we're on Mars or something. It's like how the CIA just invents new oceans or how The View insisted the square root of 2 is a rational number.

What a glorious time to be - oh, wait.

"Someone Could Lose A Heart Tonight" by Eddie Rabbitt

1981 / #15

Rate Your Music score: 3.22 out of 5!

Back in 1981-82, this lost hit brang amusement to 3rd graders far and wide.

Each day, kids at school would sit there in class and sing this song with new lyrics. They called it "Someone Could Throw A Dart Tonight."

Wait, no, that wasn't it. I think it was "Someone Could Wreck A Cart Tonight." Or maybe it was "Someone Could Eat A Tart Tonight." Yeah, that was it!

For reference, this record was a hit right at the same time as "Harden My Heart" by Quarterflash. There was a kid in one of my classes who was about 5 years older than everyone else who sat there in class singing new lyrics for that song: "I'm gonna farten my fart...I'm gonna swallow my beer." He also came up with new lyrics for the Christmas song "Silver Bells": "Silver bells...Your momma smells."

Years after his heyday, Eddie Rabbitt went on a crusade against rap lyrics. In 1992, he wrote a letter to Billboard in which he groaned, "Are we becoming a nation that is just too cool to care?" On a 1991 album, Eddie included a song called "C-Rap (Country Rap)", which protested against "dirty talking on the radio"...

Silly Rabbitt!

"Into You" by Giant Steps

1989 / #58

Rate Your Music score: 2.92 out of 5!

This is the third and final entry of the Salmonella Three - 3 lost hits that ruled the radio during my bout with salmonella.

I always confused Giant Steps with Times Two, even though Giant Steps' vocals sounded more like Scritti Politti. And, unlike Times Two, Giant Steps appeared on A&M Records. And trust me, anyone who has ever come across their 45's knows this.

A&M did not always use the sturdiest material to press its records. By the late 1980s, its singles were on such cheap styrene that they're practically transparent if examined in a certain light. It's like the clandestine Soviet records that were pressed on x-ray sheets. And they last about as many plays before they start to sound fuzzy.

A&M's Herb Alpert blamed radio stations for wearing out promotional copies of records, yet much of that was because A&M used such flimsy material. But when you're talking about the singles sold in record stores, perhaps more blame rests with companies like Panasonic that sold turntables that had a stylus that seemed specifically designed to wear down styrene 45's. Record collecting websites have tried letting the world know about Panasonic's swindle.

A website comment says styrene records were "'cue-it-once' items" at radio stations. This meant you should only cue it up once before copying it to cartridge. The second try would leave a scratching sound at the beginning of the brand new record.

Years after Giant Steps mania - and before record collecting became gentrified - folks on the public Internet searched in earnest for the duo's old singles. They expressed extreme constipation that every copy they found sounded scratchy.

But even today, old lost hits still sometimes spin away on turntables in home offices far and wide.