"This Is Not America" by David Bowie/Pat Metheny Group

1985 / #32

Rate Your Music score: 3.65 out of 5!

For a song that's almost never been played in 40 years, everything about this lost hit is memorable. It has sort of a dark tone and a dark title. The video consists of clips from the movie The Falcon And The Snowman, and I'll always associate the song with the scene of a character from the film screaming at 3:12. Even hearing this song on the radio was memorable. I recall pondering it as it was on the car radio as we pulled into the driveway on the way home from the grocery store.

I continued to be influenced by the very title. When I was in my late teens in the early 1990s, I planned to write a book titled This Is Not America exposing how local school officials and politicians were running an organized crime racket, and how they were retaliating against young people who fought back. They continue to do it. This Is Not America was a good title, because they kept violating liberties guaranteed in the U.S. Constitution. Someone dismissed my proposed book as "a left-wing complaint", but didn't actually deny any of it was true. Everyone knew it was true, but I was supposed to be quiet. It was the same wimpy, dismissive attitude now being displayed regarding the lockdown atrocities of the past few years.

Parts of this concept exist in bits and pieces in my later projects. I wish I could gather together all of that project, but it's on a disk for an Atari 800. I find it interesting that the home computing industry kept introducing new computers and standards that were incompatible with older machines, which relegated past events to the memory hole.

I've had to work harder at my projects since then, because more and more things have happened that are obviously idiotic. Things have gotten more ridiculous and stupid all the time.

My proposed book opened, "America is fast becoming a police state." A few people back then scoffed at this warning, but how did that turn out?

This is not America! I don't know what it is, but it sure as shit ain't America.

"I.G.Y. (What A Beautiful World)" by Donald Fagen

1982 / #26

Rate Your Music score: 3.9 out of 5!

"What a beautiful world this will be...What a glorious time to be free..."

Don't confuse "I.G.Y." with IGA or an IGO or a UGO.

This snappy lost hit by Steely Dan's Donald Fagen is one of a handful of songs I remember being popular around the time I wasted my brother's pink construction paper by drawing a stupid picture of a guy blowing a bubble. But that's not why it gets an entry here.

When I was 9, people developed a habit of wiping boogers on the wall and furniture at home. When a blob of mucus was found on a wall, it might be called an IGO - identified gross object. I also recall a UGO - unidentified gross object - stuck on a particular spot on the bedroom wall. It was right where you entered the room, below a styrofoam mock-up of one of those traffic signs that said "BUMP." Nobody knew what the hell it was. Sometimes those were produced when you got a piece of food stuck between your teeth and you spit it out in a projectile fashion.

After IGO's began filling our walls, "I.G.Y." began filling our airwaves. What does the title of the song stand for? It stands for International Geophysical Year - a period that ran from July 1957 through December 1958.

What was the song actually about? Although it was a hit in 1982, the topic seems tailor-made for the 2020s. I read an article a few years ago that said the song was about scientific arrogance. It was about scientists having unrealistic ideas and trying to impose them on everyone despite being at odds with objective facts. This inspired lines like, "90 minutes from New York to Paris." It was like "I am the science."

The International Geophysical Year itself seemed to defy objective facts. The event defined a "year" as being 18 months, like we're on Mars or something. It's like how the CIA just invents new oceans or how The View insisted the square root of 2 is a rational number.

What a glorious time to be - oh, wait.

"Someone Could Lose A Heart Tonight" by Eddie Rabbitt

1981 / #15

Rate Your Music score: 3.22 out of 5!

Back in 1981-82, this lost hit brang amusement to 3rd graders far and wide.

Each day, kids at school would sit there in class and sing this song with new lyrics. They called it "Someone Could Throw A Dart Tonight."

Wait, no, that wasn't it. I think it was "Someone Could Wreck A Cart Tonight." Or maybe it was "Someone Could Eat A Tart Tonight." Yeah, that was it!

For reference, this record was a hit right at the same time as "Harden My Heart" by Quarterflash. There was a kid in one of my classes who was about 5 years older than everyone else who sat there in class singing new lyrics for that song: "I'm gonna farten my fart...I'm gonna swallow my beer." He also came up with new lyrics for the Christmas song "Silver Bells": "Silver bells...Your momma smells."

Years after his heyday, Eddie Rabbitt went on a crusade against rap lyrics. In 1992, he wrote a letter to Billboard in which he groaned, "Are we becoming a nation that is just too cool to care?" On a 1991 album, Eddie included a song called "C-Rap (Country Rap)", which protested against "dirty talking on the radio"...

Silly Rabbitt!

"Into You" by Giant Steps

1989 / #58

Rate Your Music score: 2.92 out of 5!

This is the third and final entry of the Salmonella Three - 3 lost hits that ruled the radio during my bout with salmonella.

I always confused Giant Steps with Times Two, even though Giant Steps' vocals sounded more like Scritti Politti. And, unlike Times Two, Giant Steps appeared on A&M Records. And trust me, anyone who has ever come across their 45's knows this.

A&M did not always use the sturdiest material to press its records. By the late 1980s, its singles were on such cheap styrene that they're practically transparent if examined in a certain light. It's like the clandestine Soviet records that were pressed on x-ray sheets. And they last about as many plays before they start to sound fuzzy.

A&M's Herb Alpert blamed radio stations for wearing out promotional copies of records, yet much of that was because A&M used such flimsy material. But when you're talking about the singles sold in record stores, perhaps more blame rests with companies like Panasonic that sold turntables that had a stylus that seemed specifically designed to wear down styrene 45's. Record collecting websites have tried letting the world know about Panasonic's swindle.

A website comment says styrene records were "'cue-it-once' items" at radio stations. This meant you should only cue it up once before copying it to cartridge. The second try would leave a scratching sound at the beginning of the brand new record.

Years after Giant Steps mania - and before record collecting became gentrified - folks on the public Internet searched in earnest for the duo's old singles. They expressed extreme constipation that every copy they found sounded scratchy.

But even today, old lost hits still sometimes spin away on turntables in home offices far and wide.